Source:Source (early show): Neumann AK-40s (DIN, onstage between Adam and Larry) > KM-100s > Edirol R4; (Late show): Neumann AK-40s (DIN, onstage between Adam and Larry) > KM-100s + Mackie SBD headphone output > Edirol R4 Lineage:Lineage: R4 > HDD > Soundforge 7 (resample with anti-alias filter, dither with triangular algorithm) > CDWave > FLAC16 md5 generated with MKWact Taped by:Andrew Pierce Transferred by:Andrew Pierce Keywords:americana; acoustic guitar; bluegrass; larry keel; yonder mountain;
Description
Early Show
01 Tuning / Banter
02 Devil's Blank
03 Night Out
04 Buffalo Creek
05 Another Day
06 Critters
07 Gilpin Swing
08 Long Time
09 Pioneers
10 Pockets
11 All Fall Down
12 Kentucky Mandolin
13 Poncho and Lefty
14 Tombstones
15 Cattle in the Cane
16 Honestly
E:
17 Banter
18 Wind's on Fire
19 Randy Lynn Rag
Late Show
01 Banter/tuning
02 Blood Mary Morning
03 Wildewood Drive
04 Amos Moses
05 Rain Still Falls
06 Mountain Song
07 Jail Song
08 Tear Stained Eye
09 Corn Liquor >
10 Not one Drop > Jerry's > Not One Drop >
11 Cullpepper Woodchuck
12 Remind Me
13 Diamond Break
14 Driver 8
15 They
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Reviewer:the_fool_in_me -
-
August 21, 2010 Subject:
Thanks Andrew!
Great show, great interaction between Larry and Adam. Track 27 is a Jay Farrar(Uncle Tupelo and Son Volt) song called Traces.
Notes
Special thanks to Adam and Larry for letting me put my mics onstage and to Jeff at the Hotel Utah for the SBD patch during the late show.
This was a special night of music. Fans of acoustic guitar music in the bay area got a treat this past Saturday. A true treat to see two of the best currently touring acoustic guitar players play together. For those that missed it, this recording captured it pretty well, in my opinion. I hope that you enjoy it.
For the first show I tried to get a board patch as well as the microphones, but alas, the proper connectors were in the car trunk down the block. Between sets I went out to the car and got the cables and adapters I needed to get the headphone feed from the soundboard, which broadened the dynamic range of the recording, even though it was a stereo feed recorded in mono. This file was matched with each channel of the microphone tracks and recombined as a 50-50 blend of the SBD and mics. This was the best I could do in the situation.
Before the show Adam thought the best sound might be in the house as the previous nights were really quiet with respectful audiences. I am glad that I put the mics onstage, as there were a number of talkers and singers in the crowd that would have made a mid-room mic placement sound terrible.